When an oily attorney dies at the hands of the mafia, a dedicated French detective investigates the man's murder. He soon uncovers a drug-smuggling operation and lets his sawed-off shotgun do the talking to the toughs in this Gallic gangster feature.

¿Quién es la máscara? (Spanish for Who is the Mask?) is a Mexican talent reality television series produced by Televisa and Endemol Shine Group. It is based on the South Korean television show King of Mask Singer created by Seo Chang-man.

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Paul lands in a Mediterranean seaside resort. He is enjoying a few moments by the sea, when his gaze is captured by the arrival of a muscular man with a tanned complexion. This stranger becomes his obsession, fueling a destabilizing desire.

Paul lands in a Mediterranean seaside resort. He is enjoying a few moments by the sea, when his gaze is captured by the arrival of a muscular man with a tanned complexion. This stranger becomes his obsession, fueling a destabilizing desire.

The story of the relationship between Dora Maar and Pablo Picasso

A fairytale for all about a girl overwhelmed by grief, a boy who loves her, and how greed leads the purest of hearts to commit the vilest of actions. 　　A timeless and universal story, both strange and familiar, from meticulously crafted puppets and miniature sets. The film uses a hybrid technique of frame-by-frame animation, live-action and CGI to achieve a depth of emotion and expressiveness unseen in a puppet-based medium.

This interrogation of famed 19th century French writer, proto feminist George Sand, includes discussion with the new early 1970s feminist movement and a critique of the limitations of her progressivism (she opposed the 1871 Paris Commune).

Inspired by the last essay Charles Darwin wrote on the action of worms, Anna Marziano crafted a film where the cultural and political action is placed in continuity with the work of earthworms, digesting and feeding the soil microscopically day after day. The film intertwines direct observation, video projections and the decay of some film negatives buried in the ground in the attempt to keep visual traces of the life of micro-organisms.

Inspired by the last essay Charles Darwin wrote on the action of worms, Anna Marziano crafted a film where the cultural and political action is placed in continuity with the work of earthworms, digesting and feeding the soil microscopically day after day. The film intertwines direct observation, video projections and the decay of some film negatives buried in the ground in the attempt to keep visual traces of the life of micro-organisms.